Urdu Poetry Archive Biography
Source:-Google.com.pk
Urdu
poetry (Urdu) is a rich tradition of poetry and has many different
forms which have basically originated from Arabic and from Persian
language. Today, it is an important part of the cultures of Pakistan and
India. Literary figures as far back as Amir Khusro (1253-1325 CE) and
Kabir (1440–1518 CE) inspired later Urdu poets, and served as
intellectual and linguistic sources. Meer, Dard, Ghalib, Anees, Dabeer,
Iqbal, Zauq, Josh, Jigar, Faiz, Firaq, Ahmad Nadeem Qasmi, Shair, Mohsin
and Faraz are among the greatest poets of Urdu. The tradition is
centered in the South Asia. Following the Partition of India in 1947, it
found major poets and scholars residing primarily in modern Pakistan.
Mushairas (or poetic expositions) are today held in metropolitan areas
worldwide.
The principal forms of Urdu poetry are:
Ghazal,
is a set of two liner couplets, which strictly should end with the same
rhyme and should be within one of the predefined meters of
Ghazals.There has to be minimum of five couplets to form a Ghazal.
Couplets may or may not have same thought. It is one of the most
difficult forms of poetry as there are many strict parameters that one
needs to abide by while writing Ghazal.
Hamd is a poem in praise of Allah. The word "hamd" is derived from the Qur'an, its English translation is "Praise".
Marsiya
(or elegy), is nearly always on the death of Hasan and Husain and their
families, but occasionally on the death of relatives and friends. It is
usually in six-lined stanzas with the rhyme aaaabb. The recitation of
these elegies in the first ten days of Muharram is one of the greatest
event in Muslim life. A fully developed marsiya is always an epic. The
famous marsia writers who inherited the tradition of Mir Anis among his
successive generations are Mir Nawab Ali 'Munis', Dulaha Sahab 'Uruj',
Mustafa Meerza urf Piyare Sahab 'Rasheed', Syed Muhammad Mirza Uns, Ali
Nawab 'Qadeem', Syed Sajjad Hussain "Shadeed" Lucknavi, Allama, Dr.Syed
Ali Imam Zaidi, "Gauher" Luckhnavi the(great grandson of Mir Babber Ali
Anis).
Masnavi,
in the majority of cases a poetic romance. It may extend to several
thousand lines, but generally is much shorter. A few masnavis deal with
ordinary domestic and other occurrences. Mir and Sauda wrote some of
this kind. They are always in heroic couplets, and the common metre is
bacchic tetrameter with an iambus for last foot. The Religious masnavi
History of Islam (Tarikh-e-Islam Az Quran) written by Dr. Syed Ali Imam
Zaidi Gauher Lucknavi.
Naat is a poetry that specifically praises the Islamic prophet Muhammad.
Nazm
Urdu nazm is a major part of Urdu poetry. From Nazeer Akarabadi, Iqbal,
Josh, Firaq, Akhtarul Iman to down the line Noon Meem Rashid, Faiz, Ali
Sardar Jafri and Kaifi Azmi. They have covered common life,
philosophical thinking, national issues and the precarious predecament
of individual human being.As a distinct form of Nazm many Urdu poets
influenced by English and other European poets took to writing sonnets
in Urdu language. Azmatullah Khan (1887-1923) is believed to have
introduced this format to Urdu Literature. The other renowned Urdu poets
who wrote sonnets were Akhtar Junagarhi, Akhtar Sheerani, Noon Meem
Rashid, Zia Fatehabadi, Salaam Machhalishahari and Wazir Agha.
Qasida,
a kind of ode, often panegyric on a benefactor, sometimes a satire,
sometimes a poem dealing with an important event. As a rule it is longer
than ghazal, but it follows the same system of rhyme.
Qawwali, is a form of Urdu poetry read along with devotional music, A Qawwali is almost always dedicated to particular Sufi.
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